If
you visit almost any Vietnamese home you are likely to find an alter, one filled with
ancestral photographs, Buddhist deities and lotus flowers.
This reverence for tradition is augmented by the tranquil nature of Vietnamese
rural life, where over 80 percent of the population resides. This is a remarkably different image than the
enigmatic Vietnam deeply embedded in the American conscious. Obscured by colonialism, communism and the cold
war, Vietnam has only recently opened its borders to cultural exchange.
When
viewing this exhibition of recent Vietnamese artworks it is difficult not to be astounded
by their tranquility and contemplative nature, for there is virtually no sign of
bitterness or remorse from war. The emphasis
is of inward vision and personal expression, qualities only recently made available again
to the Vietnamese people.
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Since
World War II the Philippines have been a sovereign nation, but still carry the burden of
colonial and imperial occupations from their turbulent past. It was not until the imposition of martial law by
the Marcos regime in 1972 (causing great social unrest) that Filipinos started to question
if government was serving the people. This
led to the infamous people revolution that ultimately ousted Marcos from power in 1986. Skeptical of former imperial influences, Filipinos
today are looking outward at their society, as they strive to redefine their social and
racial identity.
The
intense soul searching of the 80s and 90s greatly expanded and energized
Filipino art, as it spoke to issues such as national history, ancient traditions, social
justice and feminism. Observing this art
today, it is evident that the styles are very cutting edge and often employ mixed media,
wit and play on words and images to comment on society.
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